"Tonight When I make my sweeping bow at heaven's gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is...My panache."
The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand's rejection of the social realism which dominated late nineteenth-century theatre. He wrote his `heroic comedy', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand's hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words.
Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal.
The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry's acclaimed translation into `chiming couplets' represents the homage of one verse dramatist to another.
Translated by Christopher Fry
With an Introduction and Notes by Nicholas Cronk
About the Author
Edmond Eugène Alexis Rostand (1868-1918) was a French poet and dramatist. Rostand is associated with neo-romanticism, and is best known for his play "Cyrano de Bergerac". Rostand's romantic plays provided an alternative to the naturalistic theatre popular during the late 19th century. One of Rostand's works, "Les Romanesques", has been adapted as the highly successful musical comedy "The Fantasticks". Rostand became the youngest writer to be elected to the Académie Française.
Nicholas Cronk is a Fellow and Tutor in French at St Edmund Hall, Oxford. Christopher Fry is a verse playwright. He is the author of many well-known plays including The Lady's not for Burning.
