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Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem

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SKU:
575
Condition:
Very Good
Format:
Paperback, 116 pages
Publisher:
The Penguin Group, 1998
Edition:
First Penguin Books Edition, Twenty-sixth Edition
The great American play of an ordinary man's struggle to leave his mark on the world. Willy Loman, the protagonist of Death of a Salesman, has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age sixty-three, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Miller's masterpiece has steadily seen productions all over the world since its 1949 debut. As the noted Miller scholar Christopher Bigsby states in his Introduction, "if Willy's is an American dream, it is also a dream shared by all those who are aware of the gap between what they might have been and what they are."

The great American play of an ordinary man's struggle to leave his mark on the world.

Willy Loman, the protagonist of Death of a Salesman, has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age sixty-three, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith.

Miller's masterpiece has steadily seen productions all over the world since its 1949 debut. As the noted Miller scholar Christopher Bigsby states in his Introduction, "if Willy's is an American dream, it is also a dream shared by all those who are aware of the gap between what they might have been and what they are."

Editorial Reviews

"By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times

"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

About the Author

Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock (1980). He also wrote two novels, Focus (1945), and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. His later work included a memoir, Timebends (1987); the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peter's Connections (1999); Echoes Down the Corridor: Collected Essays, 1944–2000; and On Politics and the Art of Acting (2001). He twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Miller was the recipient of the National Book Foundation’s 2001 Medal for Distinguished Contribution to American Letters, the Prince of Asturias Award for Letters in 2002, and the Jerusalem Prize in 2003.

Christopher Bigsby is a professor of American Studies at the University of East Anglia. He edited the Penguin Classics editions of Miller's The Crucible, Death of a Salesman, and All My Sons.