These essays provide a new way of envisioning the relationship between spirituality and social embodiment. Some authors provide re-readings of pre-modern theology, others address our circumstances more directly, but all seek ways to place our spiritualities and politics before the God who desires to redeem us, body and soul.
The Directions in Modern Theology Series
Series Editors: L. Gregory Jones and James J. Buckley
The Directions in Modern Theology Series looks at new ways of envisaging the contemporary theological task. Each volume is comprised of essays by internationally distinguished scholars and provides a unique forum for international dialogue and debate.
Editorial Reviews
Review
"Students of theology will welcome this study and enjoy the varied presentations and I believe they will return to them, a pleasure made all the more attractive by the index." Anthony Lovegrove, Haslemere
"This book of essays is a selection of writings from some of todays most thoughtful theologians. The theme of the book is an attempt to engage with both the realm of the mystical and that of the material utilising traditional reasources in creative ways. All of the essays are intriguing and cover a wide range of topics.....they all go a long way in contributing valuable arguments to the current debates surrounding the relevance and message the chuch has to offer the larger community."
!["The three plays in this volume all deal with the misery of man, but we note at once that the misery is not immediate and physical, not social, but ultimate and, as it were, metaphysical. In each play the central character is one of the insulted and injured: one an [African American], another a stoker, the third a postitute. But whereas for most of us the plight of such people immediately evokes the social forces that have insulted and injured them, for O'Neill the social insult and injury are not so much facts in themselves as symbols of man's cosmic situation. Thus the "emperor," Brutus Jones, does not typify the [African American]. He typfies all men with their raw ignorance and hysterial fear under the layers of intellect. The Hairy Ape is not a play about the proletariat. Yank Smith is the embodiment of our modern pride of power. Anna Christie is no less symbolic of the darkness of man's ultimate fate." --Lionel Trilling](https://cdn11.bigcommerce.com/s-ezptpblrxu/images/stencil/500x659/products/1368/2139/EugeneOneil__62991.1666558303.jpg?c=2 "\"The three plays in this volume all deal with the misery of man, but we note at once that the misery is not immediate and physical, not social, but ultimate and, as it were, metaphysical. In each play the central character is one of the insulted and injured: one an [African American], another a stoker, the third a postitute. But whereas for most of us the plight of such people immediately evokes the social forces that have insulted and injured them, for O'Neill the social insult and injury are not so much facts in themselves as symbols of man's cosmic situation. Thus the \"emperor,\" Brutus Jones, does not typify the [African American]. He typfies all men with their raw ignorance and hysterial fear under the layers of intellect. The Hairy Ape is not a play about the proletariat. Yank Smith is the embodiment of our modern pride of power. Anna Christie is no less symbolic of the darkness of man's ultimate fate.\" --Lionel Trilling")